issue 23 > nonfiction > green > works cited

Bush, Douglas. Mythology and the Renaissance Tradition in English Poetry. 1932. Rev. ed. New York: W.W. Norton, 1963. Print.

Flannagan, Roy, ed. The Riverside Milton. Boston  and  New York: Houghton  Mifflin, 1998. Print.

Harvey, Sir Paul. “Greek Comedy.”  The Oxford Companion  to Classical Literature. Oxford and New York: Oxford UP, 1984.  pp.115-117. Print.

Homer.  The Odyssey. Trans. Robert Fitzgerald. Garden City, NY: Anchor-Doubleday, 1963. Print.

Jonson, Ben. “Pleasure Reconciled to Virtue.” Ben Jonson’s Plays and Masques.  Sel.and Ed. Richard Harp. Norton Critical Edition. 2nd ed. New York and London: W.W. Norton, 2001. pp.  333-342. Print.

Kerrigan, William, John Rumrich, and Stephen M.Fallon, eds. The Complete Poetry and Essential Prose of John Milton. New York: Modern Library, 2007. Print.

Le Comte, Edward. A Milton Dictionary. New York: Wisdom Library/ Philosophical Library, 1961. Print.

Lewalski, Barbara K.  The Life of John Milton: A Critical Biography. Rev. ed. Malden, Mass., et al.: Blackwell, 2000, 2003. Print.

Marcus, Leah S. “Justice for Margery Evans: A ‘Local’ Reading of Comus.”  Milton and the Idea of Woman. Ed. Julia M. Walker.  Urbana and Chicago: U of Chicago Press, 1988.  pp.66-85. Print.

Milton, John. Complete Poems and Major Prose. Ed. Merritt Y. Hughes. New York: Odyssey Press, 1957. Print.

Moseley, C.W.R.D. “ ‘The unpolluted Temple of the Mind’: Comus and Arcades.”  Milton: The English Poems of 1645. 1991. Rpt. as Penguin Critical Studies. London et al.: Penguin, 1992.  Pp.169-206.  Print.

Mundhenk, Rosemary Karmelich. “Dark Scandal and the Sun-Clad Power of Chastity: The Historical Milieu of Milton’s Comus.”  SEL: Studies in English Literature, 1500-1900 15.1 (Winter 1975): pp.141-152. JStor.Web. 20 Dec. 2010.

Orgel, Stephen. “The Case for Comus.”  Representations  81 (Winter 2003): pp. 31-45. JStor. Web. 10 Jan. 2011.

---.  The Jonsonian Masque. 1967. Rpt. New York: Columbia U Press, 1981. Print.

Ovid. Metamorphoses. Trans Rolfe Humphries. Bloomington and Indianapolis: Indiana U Press, 1955, 1983. Print.

Revard, Stella P., ed. John Milton: Complete Shorter Poems with Original Spelling and Punctuation. Latin Poems trans. Lawrence Revard. West Sussex, Oxford, and Malden, Mass.: Wiley-Blackwell, 2009. Print.

Roberts, Jeanne Addison. “Anxiety and Influence: Milton, Ovid, and Shakespeare.”  South Atlantic Review 53.2 May, 1988): pp.59-75. JStor. Web. 22 Jan. 2011.

“Savage.”  The Compact Edition of the Oxford English Dictionary: Complete Text Reproduced Micrographically. 1971 ed. Print.

Singleton, Ralph H. “Milton’s Comus and the Comus of Erycius Puteanus.”  PMLA 58.4 (December, 1943): pp. 949-957.  JStor. Web. 14 Dec. 2010.

Spenser, Edmund. The Faerie Queene. Ed. Thomas P. Roche, Jr., assisted by C. Patrick O’Donnell, Jr. London et al.: Penguin, 1978.  Rpt. in Penguin Classics, 1987. Print.

Steadman, John M. “Milton’s Haemony: Etymology and Allegory.” PMLA 77.3 (June, 1962): pp.200-207. JStor. Web. 15 Dec. 2010.

Thomas, Catherine. “Chaste Bodies and Poisonous Desires in Milton’s Mask.”  SEL: Studies in English Literature 1500-1900  46.2 (Spring 2006): pp.435-459.  Project Muse.  Web. 20 Dec. 2010.

Traister, Barbara Howard.  “The Magician in Masque.”  Heavenly Necromancers: The Magician in English Renaissance Drama.  Columbia, MO: U of Missouri Press, 1984.  pp. 151-180. Print.

Yarnall, Judith. Transformations of Circe: The History of an Enchantress. Urbana and Chicago: U of Illinois Press, 1974.  Print.